300

A studio production course that is a continued exploration of graphic and time based tools with emphasis on the creative usage of programming languages. The class will be centered around the interactive manipulation of traditional and experimental time based media and graphics. Laboratory fee required.

A studio production course that is an advanced Web design and production class addressing the history and culture of the Internet and exploring the Web as a domain for publication and expression for online producers. Special emphasis is placed on defining the differences between client-side and server-side creations, and how these affect the content and presentation of the information on the Web. It also emphasizes the evolution of multimedia into hypermedia through the use of client/server tools, Web services, programming languages and databases. Laboratory fee required.

A studio production course that offers students a hands-on opportunity to explore narrative filmmaking using digital technologies in a combined theory and practice approach. Each student completes a series of short digital films relating to the history, theory and aesthetics of narrative film. Technical instruction includes digital cinematography, lighting, sound and editing. Class includes screenings and discussions on the history and theory of the narrative film. May be used to fulfill the general distribution requirements for the humanities if not used for communication or the film and media arts majors. Laboratory fee required.

A studio production course that offers students a hands-on opportunity to explore documentary filmmaking using digital technologies in a combined theory and practice approach. Class includes screenings and discussions on the history and theory of documentary film and video. Technical instruction includes digital cinematography, lighting, sound and editing. Each student completes one or more short digital films relating to the history, theory and aesthetics of the documentary film. May be used to fulfill the general distribution requirements for the humanities if not used for communication or the film and media arts majors. Laboratory fee required.

A studio production course that offers students a hands-on opportunity to explore experimental filmmaking in a combined theory and practice approach. Each student completes one or more short films relating to the history, theory and aesthetics of the experimental film. Technical instruction includes cinematography, camera operation, lighting, editing and sound. Class includes screenings and discussions on the history and theory of experimental cinema. May be used to fulfill the general distribution requirements for the humanities, if not used for communication or the film and media arts majors. Laboratory fee required.

A studio production course that investigates three-dimensional computer animation, including advanced techniques of modeling and animation. This course also includes necessary aspects of texture mapping, character rigging, motion control, animation principles, digital lighting, virtual camera principles, particle effects, dynamics and rendering. Laboratory fee required.

A studio production course that explores the roles in the creative decision-making processes of the director, cinematographer and production designer.  It emphasizes the technical, administrative and communication skills that provide the means for successful realization of drama, television, documentary and new media projects.  The aim is to develop a wide range of skills necessary for effective performance in these roles in the context of complex creative collaboration.  Laboratory fee required.

A studio production course that professionalize the implementation and production of animation techniques, including the use of computers. Advanced projects deal with specific problems and exercises in drawing, storyboard and script/visual analysis. May not be used to satisfy general distribution requirements. Laboratory fee required.

A studio production course that teaches producing for cinema, television, interactive, and commercial and business applications. Students acquire skills in production budgets, package development, script breakdown, cost projections, shooting schedules, and marketing and sales presentations.

A studio production course that teaches advanced creative and technical possibilities of motion picture editing using the University's advanced digital editing facilities. May not be used to satisfy general distribution requirements. Laboratory fee required.

A studio production course that introduces students to the necessary software, and methodology used for writing, shooting and editing the web series for distribution.  Students will write a web series, shoot, edit, and distribute the pilot episode of their web series.  May not be used to satisfy general distribution requirements. Laboratory fee required.

Inquiry based on experience working in the related field.  May be repeated for credit.  Students gain experiential credit for working within the field in a variety of available positions.

A studio production course that simultaneously explores digital based photography and digital manipulation of imagery. Relevant history, theory and aesthetics of related media are presented, along with discussions of the societal impact that digital imaging has introduced. Laboratory fee required.

A course offered at the discretion of the FMX department.  Subject may focus on a topic of current interest in the field, or topic that is of interest to a particular group of students.  May be repeated for credit, if the topic is different.

Independent project developed under the guidance of an Film, Animation, and New Media Instructor.  Students will apply by submitting a project proposal to an FMX professor for 1-4 credits.  Each course (392-397) may be taken once for variable credits of 1-4 hours per course.

The Junior Portfolio Review is a required faculty evaluation of on-line portfolios submitted by students within majors in the FMX Department, occurring by the junior year (at, or before, 60 hours).  The evaluation of the portfolio will be made by at least two FMX faculty members and / or guest evaluators.  The purpose is to assess students' progress and determine their best path to graduation, through FMX BA or BFA programs.  The review is taken for zero-credit, and required by majors specified in the catalog.