ART - Art

A non studio-oriented course designed to increase an overall understanding of art. The course concentrates on the various social and historical factors that have affected art throughout time. Issues examined include why art is created; how it is used; how it affects us, collectively and individually; how it is formed; and the value it has for enriching our lives. May not be used to satisfy major or minor degree requirements in art.

A studio/performance-oriented course that introduces traditional problems in drafting and pictorial organization. Involves development of pictorial form and space by line and value through a variety of media.

A studio/performance-oriented course that introduces problems in pictorial organization, using the human figure and other organic forms as reference.

An introductory studio/performance-oriented course designed to acquaint the student with the principles of ceramics as a medium for aesthetic expression. Emphasis is given to hand-building techniques, surface enrichment, ceramic history, ceramic geology, aesthetics and conceptual development.

A studio/performance-oriented course that introduces students to various aspects of painting in both representational and abstract forms. Traditional and contemporary painting techniques and concepts are surveyed. Emphasis is placed on color theory. Perceptual training by means of still-life exercises, problem-solving assignments and freedom to use the imagination are also stressed.

A studio/performance-oriented course focusing on sculptural form and problems through the sculptural use of classic and contemporary materials and methods. Emphasizes the separate nature of carved and modeled forms and the value of the character of the material on the final work.

A studio/performance-oriented course focusing on printmaking as an expressive medium through exploration of form and pictorial organization in dry point, relief and intaglio printmaking.

A studio/performance-oriented course covering the fundamental principles of visual organization. Emphasizes two-dimensional design and the use and theory of color.

A studio/performance-oriented course that is a continuation of ART 202.

A studio/performance-oriented course that provides an introduction and investigation into illustration techniques, principals, concepts and styles applied to both traditional and digital illustration. This course involves the correlation between materials and themes. Emphasis is on studying existing illustration styles and techniques.

A studio/performance-oriented course offering an introduction to materials and techniques of photography.

A studio/performance-oriented course that introduces various electronic and digital tools for use in creating artistic projects. Covers the history, evolution and theory of relevant technology in order to provide context for the hardware and software used in the class. Laboratory fee required.

Art and Technology is a lecture course conceived to provide a context for the development of art and its interrelations with technology. Students study the definition of multimedia and its evolution toward what is currently known as hypermedia. Special emphasis is placed on the creation and transformation of technology used in the 20th century, such as radio, television, computers, the Internet and networked environments. Developments are related to historic art movements.

A studio/performance-oriented course that gives an introduction to three-dimensional computer animation, exploring the basic techniques of modeling and animation. The course also includes necessary aspects of texture mapping, deformation, motion control, lighting, cameras and rendering. Laboratory fee required.

An introductory studio/performance-oriented course designed to acquaint students with the principles of creating ceramic sculpture. Emphasis is given to the specific construction techniques relevant for ceramic sculptural creation, surface enrichment, incorporation of mixed-media, glazing, ceramic geology, mold-making, a study of historical and contemporary ceramic sculpture, aesthetic criticism and conceptual idea development.

An introductory studio/performance-oriented course designed to acquaint students with the principles of wheel thrown ceramics as a technique for aesthetic expression. Emphasis is given to the development of wheel throwing techniques, surface enrichment and glazing, ceramic geology, a study of historical and contemporary wheel thrown ceramics, aesthetic criticism and conceptual idea development.

An introductory studio/performance-oriented course designed to acquaint students with the ancient and modern techniques and principles of working with terra cotta (earthenware) and the Japanese process of raku as media for aesthetic expression. Emphasis is given to the specific handbuilding techniques relevant for working with terra cotta and the raku process. Surface enrichment, glazing, ceramic geology, a study of historical and contemporary terra cotta and raku, methods of firing, aesthetic criticism and conceptual idea development are also included.

An introductory studio/performance-oriented course designed to acquaint students with the principles of producing and installing ceramic murals, tiles and mosaics as a medium for aesthetic expression. Emphasis is given to the specific techniques used to produce ceramic murals, tiles and mosaics; surface enrichment; incorporation of mixed-media; glazing; ceramic geology; a study of historical and contemporary ceramic murals, tiles and mosaics; installation; mounting; aesthetic criticism; and conceptual idea development.

Teaches the technique of animation as a visual medium, and enables students (regardless of major) to design, script, write, direct and communicate concepts through animation. Emphasizes art, history, movement, audio design and writing. May be used to fulfill the general distribution requirements for the humanities if not used for the communication or film and media arts majors. Laboratory fee required.

Introduces students to the basic principles involved in recording, processing and distributing image and sound for film, television and the Internet. The student learns the basics of cameras, lenses, exposure, film, microphones, scanning, basic digital effects, editing and other post-production techniques. Basic history, theory and aesthetics of related media are presented. May not be used to satisfy general distribution requirements. Laboratory fee required.

A studio/performance-oriented course that introduces students to skills and elements of observational painting. Still-life and the figure provide the subject matter for observing color, light, form and space. The course explores the power and energy of composition and investigates the many painterly properties of oil paint. Through slide presentations and visits to local museums and galleries, students extend their knowledge of historical and contemporary art based on observation.

A studio/performance-oriented course aimed at students interested in working in multiple mediums. It is designed to explore beginning interests in drawing, painting, photography and 3-D forms as an investigation into the contemporary practice of combining artistic media. The course emphasizes experimentation and exploration of new materials, new processes and new ways to put things together. Students will further their technical ability while thinking conceptually about where painting lies today.

A studio/performance-oriented course intended to question the limits and boundaries of painting as a creative medium, stressing investigation in media and technique. Issues of traditional as well as nontraditional aspects of painting are brought into light in the context of a contemporary discourse. Experimentation in concept and media will be encouraged.

This is a basic course in hypertext markup language, or HTML. It is a laboratory course, and almost all work is performed at a computer terminal. Laboratory fee required.

A critical and analytical study of the architecture, sculpture, painting and minor arts from the Prehistoric era to the Gothic period. Emphasis is given to the social and cultural influences that affected the development of art in Western civilizations.

A critical and analytical study of the architecture, sculpture, painting and minor arts from the Renaissance to the 20th century. Emphasis is given to the social and cultural influences that affected the development of art in Western civilizations.

A critical and analytical study of significant primitive historical and prehistoric works of art with reference to architecture, sculpture, painting and the minor arts.

A critical and analytical study of significant pre-Columbian works of art with reference to architecture, sculpture, painting and the minor arts.

A critical and analytical study of ancient Middle Eastern historical works of art with reference to architecture, sculpture, painting and the minor arts.

A critical and analytical study of the ancient Mediterranean area and significant Greco-Roman works of art with reference to architecture, sculpture, painting and the minor arts.

A critical and analytical study of significant Medieval works of art with reference to architecture, sculpture, painting and the minor arts.

A critical and analytical study of significant Renaissance works of art with reference to architecture, sculpture, painting and the minor arts.

A critical and analytical study of significant Baroque and Rococo works of art with reference to architecture, sculpture, painting and the minor arts.

A critical and analytical study of 20th-century painting, sculpture, photography and architecture with an emphasis on the conditions and circumstances that caused them to evolve to their present states.

A critical and analytical study of the architecture, sculpture, painting and minor arts of the Far Eastern cultures of India, China and Japan.

A critical and analytic study of neo-classicism, romanticism, realism, impressionism and post-impressionism including influences on the development of contemporary Western art, with specific references to painting, sculpture and architecture.

This class simultaneously explores digital-based photography and digital manipulation of imagery. Relevant history, theory and aesthetics of related media are presented, along with discussions of the societal impact that digital imaging has introduced. Laboratory fee required.

A critical and analytical study of the history of graphic design, from the 14th century to present with major references to movable type, the Renaissance, art nouveau, modern, post-modern and digital eras.

This is a travel course designed for students interested in experiencing and engaging in a vibrant art scene. On location, students visit galleries, museums and the working studios of prominent artists. Prior to the trip or on return, during the seminar portion of the course, these visits are contextualized through readings, discussion and other assignments. Possible destinations include New York City, Los Angeles, Chicago, Miami, Seattle and other sites. (Travel fees vary depending on location.)

This is a required course for all art majors that focuses on career preparation and professional development for visual artists. It presents a wide variety of professional skills such as goal setting; professional ethics; portfolio basics and imaging strategies; writing cover letters, artist's statements and gallery proposals; exhibiting in galleries, museums and alternative spaces; self-initiated projects and exhibitions; networking and public relations; applying for grants and residencies; applying for internships, jobs and graduate schools; and locating helpful resources. ART 298 is a prerequisite for participation in the biannual Junior Review and ART 498 Senior Seminar.

A studio/performance-oriented course designed to provide a more intensive investigation into the ceramic art medium. Emphasis is given to the development of a more personalized aesthetic approach, kiln firing and glaze development.

A studio/performance-oriented course that explores issues concerning media and methods relevant to individually designated concepts in order to encourage students to develop their own vision and style. This course provides the time and focus to develop a significant and fully realized body of work while exploring the intellectual connections between work in the studio and readings, writings and discussions in contemporary art and culture.

A studio/performance-oriented course designed to give intensified experience in sculptural form with emphasis on individual experimentation and competence in one or more sculptural materials.

A studio/performance-oriented course that is a continuation of ART 203.

A studio/performance-oriented course that is a continuation of ART 153 and 154, with emphasis on the relationship of advanced principles to pictorial organization and drawing as a final form.

A studio/performance-oriented course that is an introductory study of the creative processes associated with the graphic design field. Emphasis on creative problem-solving, basic design principles and the integration of type and imagery as applied to realistic graphic design problems. Laboratory fee required.

A studio/performance-oriented course that emphasizes the development of the creative process as applied to design problem-solving. Focus is on the development of ideas and the tools used to execute design solutions. Subjects covered include print advertising, brochures, logotypes, signage, packaging and illustration, and how each ties in with marketing strategy. Laboratory fee required.

A studio/performance-oriented course designed to increase students' technical knowledge and ability for individual expression. Problems involve multiple imagery, serial photography and other exercises to increase students' creative potential. Encourages experimentation with larger format as well as other aspects of the photographic medium.

A studio/performance-oriented course designed to increase students' understanding of typography as it relates to visual communication and graphical expression while exploring both traditional and nontraditional forms.

A studio/performance-oriented course that is a continued exploration of graphics programs with emphasis on the creative use of available tools. Three-dimensional modeling, animation and interactive media are used. Laboratory fee required.

A studio/performance-oriented course that is an advanced Web design and production class addressing the history and culture of the Internet and exploring the Web as a domain for publication and expression for online producers. Special emphasis is placed on defining the differences between client-side and server-side creations, and how these affect the content and presentation of the information on the Web. It also emphasizes the evolution of multimedia into hypermedia through the use of client/server tools, Web services, programming languages and databases. Laboratory fee required.

This course offers students a hands-on opportunity to explore narrative filmmaking using digital technologies in a combined theory and practice approach. Each student completes a series of short digital films relating to the history, theory and aesthetics of narrative film. Technical instruction includes digital cinematography, lighting, sound and editing. Class will include screenings and discussions on the history and theory of the narrative film. May be used to fulfill the general distribution requirements for the humanities if not used for communication or the film and media arts majors. Laboratory fee required.

This course offers students a hands-on opportunity to explore documentary filmmaking using digital technologies in a combined theory and practice approach. Class will include screenings and discussions on the history and theory of documentary film and video. Technical instruction includes digital cinematography, lighting, sound and editing. Each student completes one or more short digital films relating to the history, theory and aesthetics of the documentary film. Laboratory fee required.

This course offers students a hands-on opportunity to explore 16mm experimental filmmaking in a combined theory and practice approach. Each student completes one or more short films in 16mm relating to the history, theory and aesthetics of the experimental film. Technical instruction includes 16mm cinematography, camera operation, film stocks, lighting, editing and sound. Classes include screenings and discussions on the history and theory of experimental cinema. May be used to fulfill the general distribution requirements for the humanities, if not used for communication or the film and media arts majors. Laboratory fee required.

A studio/performance-oriented course that investigates three-dimensional computer animation, including advanced techniques of modeling and animation. This course also includes necessary aspects of texture mapping, character rigging, motion control, animation principles, digital lighting, virtual camera principles, particle effects, dynamics and rendering. Laboratory fee required.

Introduction to art therapy as it applies to childhood and pre-adolescence. Explores the psychology of children's art and the use of art techniques as indicators of a child's experience.

Introduction to art therapy as it applies to the complications of life experiences. Explores the psychology of adolescent and adult creativity as a substitute for language.

The Creative Triangle explores the roles in the creative decision-making processes of the director, cinematographer and production designer. It emphasizes the technical, administrative and communication skills that provide the means for successful realization of drama, television, documentary and new media projects. The aim is to develop a wide range of skills necessary for effective performance in these roles in the context of complex creative collaboration. Laboratory fee required.

The course objective is to professionalize the implementation and production of animation techniques, including the use of computers. Advanced projects deal with specific problems and exercises in drawing, storyboard and script/visual analysis. May not be used to satisfy general distribution requirements. Laboratory fee required.

This course teaches students to create Web-based interactive applications for mobile devices. Students apply advanced Web design and interactive programming techniques to produce applications that are compatible with a variety of mobile platforms. They learn writing and design strategies to produce content optimized for mobile devices. They are introduced to software and protocols for converting their Web-based applications to "native" applications designed to run on specific platforms and devices.

Students explore advanced creative and technical possibilities of motion picture editing using the University's advanced digital editing facilities. May not be used to satisfy general distribution requirements. Laboratory fee required.

This course involves investigations of descriptive painting from the human form. Issues of light, space and color interaction are stressed. Students study both from the old masters and contemporary paintings, as well as from the live model. Students investigate both perceptual and conceptual approaches to painting the figure. The final goal is for each student to begin to realize their own style and to channel it toward a successful figure painting.

This course explores the fundamental principles of abstraction and examines the way artists interpret their visual experiences. A strong emphasis on color, composition, alignment, texture and shape relationships is emphasized. This class familiarizes students with the ways and means of abstract art and encourages each individual to approach abstraction in a way sympathetic to his or her state of consciousness. Students are encouraged to consider their identity, ethnicity, preference to subject matter and awareness of self. The class addresses different approaches to abstract painting in regard to technique, theory and history.

This course introduces students to the principal software, programming language and methodology used in designing interactive media for DVD distribution. May not be used to satisfy general distribution requirements. Laboratory fee required.

The primary aims of this course are to introduce students to the aesthetic, cultural and material dimensions of the reading experience, to enhance their understanding of how physical and visual presentations shape a reader's perceptions, and to introduce the craft and art of the physical book.

For this 0-credit course, art students submit to the faculty for critique a portfolio that includes a small selection of the best pieces from each studio course taken at the University and from any institution from which UT has accepted credits. The portfolio is reviewed by no fewer than two faculty members. All portfolios are digitally documented. Students concentrating in art history submit a writing portfolio consisting of research papers completed in each art history class taken at UT or any institution from which UT has accepted credits. Unacceptable portfolios in both cases must be resubmitted no later than the end of the following semester.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore ceramics with the guidance of a member of the art faculty.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore painting with the guidance of a member of the art faculty.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore sculpture with the guidance of a member of the art faculty.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore printmaking with the guidance of a member of the art faculty.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore drawing with the guidance of a member of the art faculty.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore photography with the guidance of a member of the art faculty.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore computer graphics with the guidance of a member of the art faculty.

This studio/performance-oriented course involves placement in an advertising agency, magazine or related enterprise for hands-on work experience. May be repeated for additional credit.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore the graphic arts with the guidance of a member of the art faculty.

This studio/performance-oriented course is the capstone course for the concentration in this specific area of study. It allows the professionally oriented art student to select and intensively explore the digital arts and/or computer animation with the guidance of a member of the art faculty.

This studio/performance-oriented course explores sustainability issues as they relate to graphic design. Special emphasis is placed on specific aesthetics relative to graphic design, as well as the many forms of sustainable inks, materials and paper.

This studio/performance-oriented course offers an approach to learning how humans communicate through computers that starts by considering how we express ourselves physically. This course explores the nature of transduction, the usage of microcontrollers and their communication with other computers, and advances in human-computer interfaces and digital art. It requires a hands-on approach to writing code, soldering and building circuits and controls to determine how best to make these components relate to personal expression.

This studio/performance-oriented course explores issues concerning media and methods relevant to individually designated concepts in order to encourage students to develop their own vision and style. This course provides the time and focus to develop a significant and fully realized body of work while exploring the intellectual connections between work in the studio and readings, writings and discussions in contemporary art and culture. The objective is for students to develop, through research and practice, a personal vocabulary of imagery and ideas regarding painting. May repeat for credit.

This studio/performance-oriented course allows the professionally oriented art student to select and intensively explore a specific area of interest with the guidance of a member of the art faculty.

This course is designed to coincide with the preparation and exhibition of the Senior Exhibit (studio art) or the preparation of a Senior Thesis (art history). Students concentrating in studio art learn the proper techniques and procedures for planning, presenting and mounting an organized body of work. Emphasis is also given to the development of an artist's statement and the proper techniques for photographic documentation. Required for digital arts majors, graphic design majors and BFA majors. Students concentrating in art history prepare a 10-15-page thesis based on a paper previously written in an art history course, and will take a short comprehensive exam.

Mandatory for EMAT majors. Can be taken in conjunction with ART 498 in order to participate in the BFA Senior Art Show. The Senior Project is a capstone class where students produce professional projects that summarize what they have learned in their area of concentration within their declared major. A faculty member with sufficient experience in the subject matter teaches the class as an independent study or as a full course, depending on the number of students interested in similar topics.